It’s just over two years since I met the people involved in the Traction co-creation opera projects, in Donostia, at the beginning of February 2020. At the time, the operas themselves seemed a distant, hazy prospect. I’d never had so long to work on a project: I like the energy and focus that comes with speed. Nor had I worked with the large, multidisciplinary teams normally assembled to create an opera, never mind one that also includes innovative technology and research.
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