My first experience with Community Arts Partnership was in 2002, when I met Conor Shields at the organisation’s offices at the top of the Clanmil buildings. Conor, along with the dynamic New Belfast team of artists and coordinators, welcomed me with warmth, humour, and insight. I was introduced to Julie Anne Graham, the coordinator of the TRASH Fashion project. I shadowed her and observed the programme in action. This led to my own role as one of the project’s facilitators.
One of the most rewarding aspects of being part of the TRASH Fashion team was the chance to work with communities across the city. No two projects were ever the same, but each one was filled with creativity, fun, and a shared sense of achievement. A true highlight was the TRASH Fashion shows, where participants from different projects came together to proudly ‘strut their stuff’ on the catwalk. The pride each participant took in their creation, the excitement backstage during hair and make-up, and the camaraderie between groups made these events genuinely joyful and unforgettable.
In 2005, I was invited to take on the role of co-coordinator for the TRASH Fashion project. During that time, I introduced themed initiatives such as the Millie project, which drew inspiration from the weaving factories of West Belfast. It was also then that I had the pleasure of working closely with Heather Douglas, who had been volunteering with the programme.
Heather was compassionate, inspiring, and committed. Her exceptional sewing skills were invaluable in group settings, and her grounded, approachable manner made her a natural at encouraging and supporting participants of all ages and abilities. When the time came to recommend a successor, Heather’s experience, warmth, and leadership made her the clear choice to take TRASH Fashion forward in a new and exciting direction.
I will always be grateful for my time at Community Arts Partnership—for the meaningful experiences, the unforgettable projects, and the friendships formed along the way.